Untitled

This ‘Untitled’ series of abstract macro-landscapes, also the inspiration for my URL, is my oldest ongoing body of work. The earliest instances of these type of images began in the late 90s and the images featured here date back to 2003 in Korea when I started examining and exhibiting the ideas in earnest. They explore abstract landscapes of waste and follow the de-evolution of human-made materials, from the industrial to the urban, and domestic, playing upon viewer’s notions of narrative and traditional beauty. Although recently my focus in image-making has seen a tremendous shift towards more recognizable depictions of sociocultural phenomena, resulting in a hiatus of sort of the production of these images full time, they nevertheless continue to creep back into whatever lens-based work I am pursuing and I will eventually return to explore these ideas once more….[2003~present: full project description below]

Description

It is hard to identify exactly what defines the urban, its people, its buildings, the cultures that interact within its boundaries. These are all elements that construct and characterize the core of the metropolitan. Lost in between my photographs are found.
Exposed are cross-sections of our physical domestic and urban environments, filled with diverse, colorful elements in various stages of neglect, decay and regeneration. Transformed by processes of rain, sunlight, oxidization and mundane use, they bear scratches, scoring and rust; revealing a passage of time where there is no allusion to reality.

Discovery is situated in the imperfect and deficient through a juxtaposition of colours, lines, and textures, our everyday environs are abstracted into obscure, colour-field landscapes. Gates, pots and pans, machines, factories, walls and domestic detritus transform into
vibrant, macro surface explorations, captivating an aesthetic previously ignored. Embodying the ordinary and everyday ugliness each with its own unique history, each a piece of our corporeal and ever changing human environment.

I am fascinated by the way our lived environment is constantly transformed though a myriad of human uses and the ensuing physical and chemical changes that result of this use; particularly in the minute or often overlooked objects that fill the space around us. Each alley, dumpster, cupboard and corner holds its own ineffable story. Absent of signs, symbols, and artifacts, my images compel  people to construct narratives through confrontation with visual stimuli, extracting meaning by forging connections between the autonomic process of sight and the cognitive act of perception. Each interpretation varies, linking colors and textures with individual experiences, emotions, personal history and culture. Once logical perception is allowed to subside, viewers create their own narratives; breathing new life into the ugly, invisible and unknown.